| City of license | New York City |
|---|---|
| Broadcast area | New York City area |
| Branding | Hot 97 |
| Slogan | "Hot 97 Is Hip Hop and R&B" |
| Frequency |
97.1 HD-2 for Old School Hip-Hop |
| First air date | 1948 |
| Format | Rhythmic top 40/Mainstream Urban |
| ERP | 6,700 watts |
| HAAT | 408 meters |
| Class | B |
| Facility ID | 19615 |
| Callsign meaning | HOT |
| Former callsigns | WNNJ (1948-1950s) WPAT-FM (1950s-1958) WTFM (1958-1982) WAPP (1982-1986) |
| Former frequencies | 103.5 (MHz) (1948-1988) |
| Owner | Emmis Communications (Emmis License Corporation of New York) |
| Sister stations | WEMP, WRKS |
| Webcast | hot97 Webstream |
| Website | hot97.com |
WQHT (97.1 FM, "Hot 97") is a high-profile American radio station in New York City under the corporate ownership of Emmis Communications. The station broadcasts on 97.1 MHz FM. WQHT, despited billed as a Rhythmic CHR station on Mediabase & Nielsen BDS, primarily plays urban contemporary hits, although WQHT would not play any other urban adult contemporary song that had not been played by Rhythmic Contemporary stations. The urban adult contemporary playlist, however, belongs to its WRKS (98.7 Kiss FM) sister station.
Contents |
See WKTU for a full history of the 103.5 frequency. This page is for a history of WQHT only.
In 1986, Emmis Broadcasting bought rock formatted 103.5 WAPP New York from Doubleday Broadcasting. There was speculation in the industry as to what Emmis was going to do with WAPP since their ratings were low. On August 13, 1986 WAPP switched to what appeared to be a classic rock format. The station stunted as "Classic 103."
On August 15, 1986 at 6 pm, The Rolling Stones "It's All Over Now" and a bomb noise rang out WAPP and the classic rock titles. The station debuted as "Hot 103.5" with new call letters WQHT and a new CHR/Dance format. The first song was believed to be 5 Star "R.S.V.P." Nobody in the radio industry expected it, even though Emmis put a similar sounding station KPWR "Power 106" on the air in Los Angeles earlier in the year.
Then, Emmis VP of Programming Rick Cummings said the company was considering four formats for the old WAPP but were leaning towards the classic rock and CHR/Dance formats. "It was an 11th hour decision." Cummings told Billboard magazine on 8/30/1986.
The Program Director ended up to be Joel Salkowitz (who was first named only as Asst Program Director) and Steve Ellis was Music Director (a hold over from WAPP) Don Kelly was the consultant for both WQHT and KPWR in those early months.
Hot 103.5 played a different variety of music than what was on the New York radio dial at that time. There was no CHR/Dance station in the market since 92KTU WKTU left the air a year earlier. WQHT came on the air with a new improved dance oriented format. Trade magazines of the day called it a hybrid format. The station mixed in CHR hits with Dance and Club music of the day.
Songs that appeared on 103.5 during the first few months were E.G. Daily "Say it Say It," Level 42 "Something About You," Timex Social Club "Rumors," Nice & Wild "Diamond Girl," and Trinere "I'll Be All That You Need."
The station started to play "hotmixes" or extended versions of certain songs. The "hotmixes" were either just the extended versions available commercially on 12" Singles, or mixes that were created by local club DJs, such as "Little" Louie Vega, especially for WQHT. They also aired regular versions of the songs that had longer intros than that of their competitors such as Z100. Noel used the Hot 103 version of his single "Silent Morning" for the music video as evidenced in the video's credits. With the debut of WQHT, some record labels such as Atco and Elektra reportedly started to see a spike in 12 Inch Single Sales in the New York Metropolitan Area as was reported by Billboard Magazine.
Hot 103.5's (the name was later shortened to Hot 103 in the Fall of 1986) imaging sounded similar to that of sister station KWPR "Power 106" as Chuck Riley and Eric Edwards were the voices of the station. Riley mainly voiced the sweepers and Edwards mostly voiced the promos and specialty liners. The two were also the voices for other Emmis stations at the time such as KPWR, WLOL and WAVA.
As September approached Hot 103 started to add more personality to the station. Some of the first DJs or "Hot Jocks" to join WQHT were Deborah Rath from Power 106, Al Bandiero, "Fast" Freddie Colon and Rufus (who was a hold over from WAPP).
"Broadway Bill Lee" joined Hot 103 around Christmas time and Rick Allen joined as Production Director. Allen would go on to fame as the person who created the famous "From the Top of the World Trade Center" Top of the Hour ID voiced by Chuck Riley for Hot 103. Other radio stations to this day try to duplicate that top of hour ID. Many radio production directors were impressed by Allen's work he ended up releasing some of the production elements and music beds used for Hot 103 into syndication under the brand name "Continuous Climax."
Since Hot 103 was playing music heard primarily in night clubs, the station did a lot of appearances at various night clubs in the tri-state area. Therefore, the station even had "HotSpot" reports with reporters such as Kim Howard phoning in the latest club happenings every Friday and Saturday during the night show so listeners knew where the party was at.
By 1987, Hot 103 was making a name for itself by playing Freestyle. Artists such as Noel, Safire, Cover Girls and TKA were made famous because they were played in heavy rotation right next to Mainstream Top 40 artists such as Expose, Debbie Gibson and Taylor Dayne. Freestyle and club music from other cities such as Miami wasn't ignored either. Company B & Tiger Moon, who were famous in the Florida club scene, were played on WQHT as well. In fact, Hot 103 pioneered custom station versions of songs, where the artists would change lyrics and sing about the station. Debbie Gibson & Expose recorded special lyrics for Hot 103.
WHTZ Z100 copied Hot 103's success by adding a few Freestyle titles and Urban Contemporary stations WBLS and WRKS were playing long versions of the records they played as well.
To bolster that they were on the club scene, Hot 103 added a local weekly countdown show called "New York Hottracks" hosted by Bill Lee that counted down the top 10 selling 12" Singles of the week in the tri-state area. The show started on Sunday nights and then moved to Fridays at 6 pm and later at 5 pm. The show featured short interview clips and aired sonovox numbers produced by Rick Allen identifying the chart position. (The show was later hosted by Jeff Thomas and was cancelled in 1993.) NYHT was produced for a time by PD Joel Salkowitz and researched by Angie Martinez, who would go on to dominate PM Drive after the station flipped to Hip-Hop in the 90s.
In July 1987, Hot 103 wanted to devote some airtime to older dance music at the urging of jock Al Bandiero. Management agreed and thus began "The Classics Showcase," which would feature older dance music, which usually had to be at least 7 years old to get played on the show. The show was broadcast for an hour from 8 pm-9 pm on Sunday nights. In 1989, the show was expanded to 2 hours. (Later hosts would be Paco Navarro in 1992 from 92KTU fame and Freddie Colon. The show lasted until 1994.)
During that summer, WQHT celebrated its first anniversary as Hot 103 and released the "Hot 103 Anniversary Album" on cassette, LP or CD on Warlock Records. The album contained four "Hotmixes" of CHR/Dance hits heard on Hot 103 over the past year. Sister station Power 106 also released the same album but under the Power 106 name.
WQHT Jock Line Up Summer 1987:
WQHT Jock Line Up Fall 1987:
Since the station signed on the air, it presented a music intensive morning show with only two stopsets of commercials an hour. Mornings were first hosted by Rufus Hunt with news by Judy Hernandez (another hold over from WAPP where she went by the name Judy Herron.) After Rufus left, Big John Monds took over.
By the fall of 1987, Hot 103 was looking for a morning team to round out it's dayparts. It settled on the veteran team of "Walton & Johnson and the Not Ready For Drive Time Players." The show didn't click and was off the air in a couple months.
In 1988, the station brought in the married morning team of Ron Stevens and Joy Grdnic to handle morning drive. Stevens & Grdnic were unique as they were a male/female team rather than the usual male/male morning show. Veteran newsman J. Paul Emmerson joined as the wild newsman with a CKLW tabloid type delivery. The station added traffic updates via Shadow Traffic and contracted with WNYW Fox 5 Meteorologist Nick Gregory to provide live weather updates.
In February 1987, Billboard magazine created a new "Crossover 30" chart in response to Hot 103 and the rise in popularity of other CHR/Dance stations and the type of music that they played. The chart was based solely on airplay from stations that reported to it. Radio trade magazine "Radio and Records" created a similar chart and started reporting the weekly music adds by Hot 103 and others.
The impact of Hot 103 and other similar stations such as WPOW Power 96 and WHQT Hot 105 in Miami and Power 106 in LA spurred Emmis to join with Westwood One to create a weekly national dance music countdown called "American Dance Traxx." The show debuted the week of March 23, 1987.
The show was groundbreaking as it presented the countdown in long music sweeps rather than just 2-songs in a row and then a commercial break. The 3 hour "American Dance Traxx" was hosted by KPWR PD Jeff Wyatt and produced in NY by WQHT PD Joel Salkowitz. The show used the same music beds that were on WQHT and KPWR and featured short interviews with the artists of the day. American Dance Traxx aired on WQHT Sundays from 9 pm-12 am. WQHT's Deborah Rath would substitute for Wyatt on occasion. (After Jeff Wyatt left Emmis, Deborah Rath was made the permanent host until former MTV VJ "Downtown" Julie Brown took over in 1992.)
In February 1987 the tradition started with the first of several "Hot Night" concerts. Hot Night consisted of the top CHR/Dance artists of the day and the only way in to the concert was by winning on WQHT. Hot Night 1 was held 2/4/1987 at the Palladium and starred Shiela E. and The Cover Girls. Hot Night 2 was held at the same place starring The Jets and Debbie Gibson.
As years went on "Hot Night" got bigger and expanded to more exotic locations such as the Bahamas and Cancun, Mexico. The last known "Hot Night" was in 1993 where it all began at the legendary Palladium and starred SWV.
In June 1987 Hot 103 debuted the "Hot 103 Original Saturday Night Dance Party" live from 4D NightClub in Manhattan from 10 pm-2am with no commercials and limited interruption. Sometimes 20 minutes would go by without a station identification. Everything on the radio was live from the club as WQHT plugged right into the DJ booth mixer. The mixing, the WQHT jock host, and sometimes even the crowd could be heard over the air. Scott Blackwell was the first DJ to spin for the Saturday Night Dance Party, where he would mix with 4 Technics 1200ML Turntables. There was even a cart machine on hand to play the Hot 103 sweepers over the air and inside 4D.
As time went on, WQHT was wired into two dozen different clubs around the tri-state area. “The Original Saturday Night Dance Party” would bring The Palladium, The Copacobana, Foxes, Emerald City, The Tunnel, Chicago, Limelight, 1018, The L.I. Exchange, and The Roxy right into New York, Connecticut and New Jersey living rooms, cars and boom boxes.
Other notable club DJs such as Glenn Friscia, DJ Animal, Roman Ricardo and Mojo were on the turntables for the "Saturday Night Dance Party." Artists such as France Joli, Safire, Cover Girls and others would occasionally perform live on the radio and in the clubs.
In the fall of 1988, Emmis purchased 97.1 WYNY from NBC, as well as the license of the WNBC-AM station that was being closed. On Thursday September 22, 1988 at 5:30 pm the stations swapped frequencies. Country 97 WYNY moved to 103.5FM and became Country 103.5. Meanwhile Hot 103 moved to 97.1FM and became Hot 97. After the transition to Hot 97, Stephanie Miller & Howard Hoffman were brought in to do the morning show (1988–91), J Paul Emerson stayed on as newsman, with Daniel Ivankovich, aka Reverend Doctor D, aka Odie Johnson was brought in as producer.
The last song played on Hot 103 was Debbie Gibson's "Stayin' Together" and the first song played on "The All New Hot 97" was M.A.R.R.S.' "Pump Up the Volume." WQHT even had Vanna White from television's Wheel of Fortune on hand to change huge plastic letters at a big station switch party in Midtown Manhattan. Freddie Colon was the jock in studio before and after the switch but Bill Lee actually took the listeners through the switch itself.
At 5:30 pm listeners also heard for the first time the new Rick Allen produced Top of Hour ID for the new Hot 97. It was similar to the one used on Hot 103 but was more heavily produced and now said "From the Top of the Empire State Building" and the Hot 97 name. The change reflected the use of the antenna for 97.1 being at the Empire State Building rather than the World Trade Center as it was while on the 103.5 frequency.
The station made a contest out of the event by giving listeners 97 dollars in cash if they could name the last song played "over there" and the first song played "over here."
Hot 97's ratings fell slightly in 1989. The station started to lean towards Top 40 as the station added artists such as Milli Vanilli, Bobby Brown, Paula Abdul, Taylor Dayne, MC Hammer, De La Soul, New Kids on the Block, and more. Hot 97 changed their on-air line-up and moved Freddie Colon to middays and brought in Greg Thunder from KDWB for nights. Thunder brought more of a comical Top 40 approach to nights by rhyming and being more listener interactive with heavy phones. With the addition of Thunder, WQHT had two rhyming jocks back to back everyday: Broadway Bill Lee from 4 pm-8pm & Greg Thunder from 8 pm–12 am.
Another sign of a Top 40 lean was that Hot 97, for the only time, aired jingles from JAM Creative Productions, Inc. in the fall of 1989. The jingles weren't jingles per se, but they were at the end of ramp music beds that DJs could talk over. Jonathan Wolfert of JAM created the package for WQHT and KPWR and called it "Power Up". By 1990, the jingles at the end of the ramp music beds were replaced with Chuck Riley voicing "Hot 97".
In the summer of 1990, Hot 97 teamed up with MicMac Records and released The Hot 97 MicMac Concert on cassette, LP or CD. The album featured MicMac artists that got airplay on Hot 97 like Johhny O., Cynthia and Tiana.
On July 22, 1990, Hot 97 teamed up with future sister station WRKS 98.7 Kiss-FM for a Unity Walk to promote racial harmony in New York City.
In 1990–1991, the station started to play more house and R&B music (aka New Jack Swing) while cutting back on some of the freestyle records. Artists such as Black Box, The Goodmen, Doug Lazy and Daisy Dee received more airplay.
Around this time Hot 97 added new shows focusing on house music such as the "All Night House Party," which was similar in format to the "Original Saturday Night Dance Party" but focused on house music. WQHT broadcast live from area night clubs such as The Tunnel from 2 am until 4 am Saturday into Sunday morning.
In 1991, "Anything Goes with Clivilles & Cole" debuted, where legendary record producers Robert Clivilles and David Cole of C&C Music Factory mixed new house and dance music on Saturday nights from 9 pm to 10 pm. The station also added a show spotlighting new house and dance tracks from overseas such as Europe. London jock Dave Kendall was picked to host Planet Traxx, which would air after American Dance Traxx at 12 midnight.
In the Fall of 1992, Hot 97 added a new station voice, the first time ever since the station signed on in 1986. They added Bobby Ocean (famous from working at KFRC) to voice some promos and sweepers for "Hot Night Cancun," the station concert held that December. During this time, WQHT replaced the long-running Rick Allen-produced and Chuck Riley-voiced "Top of the Empire State Building" top of hour ID. It was replaced with one voiced by Bobby Ocean but without the effects that made the previous ID noteworthy.
Towards the end of 1992 and early 1993, Hot 97's ratings hit an all-time low. In response, WQHT started to add more R&B and Rap product. Artists such as Positive K, Mad Cobra and Onyx were phased in while some of the traditional freestyle and house music was drastically cut. The station started a gradual two year change towards an Urban Hip-Hop format.
During this time, Hot 97 also made several on-air and imaging changes. Long time station voice Chuck Riley was gone, leaving only Eric Edwards as the station voice. Edwards also changed his delivery style to fit in with the new urban sound of Hot 97. He is still the station voice to this day.
Long-time PD Joel Salkowitx was let go, replaced by Steve Smith. The station axed veteran jocks Al Bandiero, Jeff Thomas and others. Deborah Rath stayed on the longest but shifted over to sister station CD 101.9 in late 1994.
A new generation of radio personalities began appearing on Hot 97. Among the most famous was the addition of a new morning show of Ed Lover and Doctor Dre of Yo! MTV Raps. The ratings rose to number three in one rating period.
In 1993, Funkmaster Flex joined Hot 97 and was host of the "Friday Night Street Jam" and weekly two hour show where he mixed hip-hop live from the studio. Flex eventually rose up through the ranks and became Hot 97's long time night personality.
Other noteworthy personalities included the addition of Wendy Williams to PM Drive, Williams used to be the overnight jock back on Hot 103 in 1988. Angie Martinez, a researcher on "New York Hottracks" in the late 1980s and who previously worked in the promotions department, was promoted to nights. A few years later, the two had a public falling out, resulting in Williams being fired from Hot 97 and Martinez assumig afternoon drive where she remains to this day.
In 1995, Hot 97 again became New York's top station in the Arbitron ratings. Hot 97 was the only radio station in New York for hip-hop until mid-1997 when WBLS reintroduced it on its playlists and moved to urban contemporary, moving WQHT to its current rhythmic contemporary format. In March 2002, Clear Channel Communications launched WWPR-FM (Power 105.1 FM) to challenge Hot 97, and went to number-five in the ratings. In the fall of 2005 Power 105.1 edged slightly ahead of Hot 97 for the first time ever during the same period of time as the Tsunami song parody. Most recently the station resurged back to the top of the ratings, although WLTW (106.7 Lite FM) is still the top-rated radio station in New York City.
In May 2007, R&R and BDS moved WQHT back to the Rhythmic Airplay panel after a long tenure as an Urban reporter; however the station was always a rhythmic reporter per Mediabase. More recently, Hot 97 has begun to play more late 90's and early 2000s throwbacks. While the majority of the songs played on the station are current Hip-Hop and R & B Hits, classic hits by artists such as the Notorious B.I.G and Tupac have begun to receive more airplay.
In the fall of 2008, WQHT served as the home of the nationally syndicated Big Boy's Neighborhood, produced by ABC Radio and based from WQHT's sister station, KPWR Power 106 in Los Angeles. However by July 2009 WQHT dropped the program and instead expanded their local morning show hosted by Cipha Sounds & Rosenberg.
By 2010, due to rivals WXRK (92-3 Now) & Clear Channel Communications' WKTU moving towards rhythmic top 40 directions, Hot 97 switched to Urban Contemporary, ending the longtime rhythmic top 40 format at the station. Mediabase & Nielsen BDS still report the station as a rhythmic top 40. However, the rhythmic contemporary format has since resurfaced at Hot 97 with WXRK reverting to contemporary hit radio.
In April 2011, WQHT is now New York City's only rhythmic contemporary station with the reverting of rival WKTU back to rhythmic adult contemporary.
In early 2006, Hot 97 launched an HD2 station called Hot 97 Throwbacks. Hot 97 Throwbacks, located at 97.1-2, uses the format of Classic Hip-Hop. The format is comparable to Sirius XM Radio's BackSpin, but censored and a few R&B songs.
On September 9, 2008, Emmis announced a programming partnership with WorldBand Media and will be using WQHT's HD-3 signal to produce programming for the South Asian communities in 3 major cities including New York City.[1] In June 2009, WorldBand Meida was removed from WQHT and placed on sister station WRKS's HD2.
Under the corporate ownership by Emmis Communications Hot 97 has seen many controversies. Citing a litany of recorded complaints and controversies, including violence and disagreements over station security, the N.Y.C. District Council of Carpenters, the landlord of Hot 97's Greenwich Village studios in May 2006 moved to evict the station. The case is pending in the courts.
In early November 1991, deejay Freedie Cohen stirred up controversy when he played Michael Jackson's latest single "Black or White" back to back with a early version of Jermaine Jackson's then-single "Word to the Badd!" The single contained Jermaine criticizing Michael's selfishness and even insisting Michael was ashamed to be black. Jermaine issued a statement and released a re-written version on his 1991 album You Said.[2]
On August 25, 2001, a charter plane with R&B superstar Aaliyah nose-dived during take off, killing all nine people aboard. The following Monday morning (August 27, 2001), host Star, played sound effects of a woman screaming in a crashing airplane to mock the death of Aaliyah. One member of the Morning show cast, Miss Jones, thought that it was done in poor taste and walked out of the studio, refusing to work further with DJ Star. Hot 97's broadcast drew criticism and the Hot 97 morning team, including DJ Miss Jones, were suspended without pay for two weeks.
On January 17, 2005, Hot 97 Miss Jones provoked a controversy by airing a song entitled "USA for Indonesia" a month after approximately 187,000 people died in the Asian tsunami caused by the 2004 Indian Ocean earthquake. The song, a parody sung to the 1985 tune "We Are the World", was criticized for overtly racist mocking of the Asian and East African victims; the song lyrics contain the racially derogatory word "Chinamen," and calls the drowning victims "bitches." Some of the lyrics included the words "Go find your mommy. I just saw her float by, a tree went through her head. And now your children will be sold. Child slavery".[3]
Miss Info, a fellow on-air colleague of Korean descent, was outraged and spoke against the song on the station. She excluded herself from producing the song and said it was wrong for it to be played.[4] Miss Info immediately found herself subjected to a four-minute, on-air lambasting from the other DJs. Miss Jones accused Miss Info of always distancing herself from the antics of the others, and of acting superior because she is Asian.[5] Another jock on the show named Todd Lynn muttered "I'm gonna start shooting Asians."[6]
Following angry protests from the Asian-American community, bloggers, and networking sites, and other New Yorkers, Miss Jones, DJ Envy , and Tasha Hightower were suspended for two weeks while Todd Lynn and song writer Rick Del Gado were fired.[7][8] The station issued an apology on its website. Newsday, Sprint, McDonald's, and Toyota all pulled their advertising from the station.[9] The suspended employees' pay was diverted to charities helping victims of the tsunami.[4]
In February 2001, a shootout erupted between the entourages of rappers Lil' Kim and Foxy Brown in front of the offices of Hot 97 on Hudson Street, which led to one of Lil' Kim's bodyguards being injured.[10] In February 2005, gunfire erupted in front of the same place between 50 Cent's entourage and The Game's entourage. The Game was quickly met by 50 Cent's crew after being notified he was at the front entrance of the building. A friend of 50 Cent pulled a gun and shot at The Game and his entourage. A bullet hit a member of The Game's entourage in the leg.[11] Both incidents also led to the nickname "Shot 97" by Wendy Williams.[12]
Other controversies have included Hot 97 on broadcasts in which women slapped each other on the air for money and prizes (This was called Smackfest and was the brainchild of DJ Miss Jones), three shootings, and two false bomb threats. In 2004, as a result of continued indecency complaints, Hot 97's corporate owner Emmis Communications, signed a consent decree with the FCC and paid the US government $300,000.
On May 2, 2006, the labor union that owns the building that houses Hot 97 filed a lawsuit demanding the station's eviction. The lawsuit came after the shooting of rapper Gravy a week earlier, and amid concerns by the New York City District Council of Carpenters, the landlord, about the safety of those in the building's neighborhood.[13]
In an episode of the NBC show 30 Rock, Tracy Jordan remarks that, "shooting people at the Source Awards is a tradition, like shooting people outside Hot 97."
Radio personality Star (whose real name is Troi Torain), who previously worked at Hot 97 before switching to rival hip hop station Power 105, had a running on-air feud with Hot 97's DJ Envy, whose real name is Raashaun Casey.
In a May 3, 2006 broadcast, Torain mentioned DJ Envy's wife and two children and threatened to find and sexually abuse Casey's 4-year old daughter. Torain said he would pay $500 to any listener who told him where the girl attended school. Torain, who is black, also used racial and sexual epithets about DJ Envy's wife, Gia Casey, who is part Asian.
After protests by the New York City Council, detectives from the New York City Police Department's Hate Crimes Unit charged Torain with endangering the welfare of a child, a misdemeanor, and required him to surrender his target pistol license and 9-millimeter handgun. The charges were later dropped.
Another controversy heated up on June 4, 2006 at the stations' annual Summer Jam, where performer Mary J. Blige made shout-outs to the airstaffers of Hot 97, but neglected to mention Miss Jones. On her morning show on June 6, 2006, Jones lashed out against the singer by calling Blige a "bitch".
On February 1, 2007 50 Cent appeared as a guest on Hot 97 of Angie Martinez. While talking about his upcoming album and other artists, Angie informed 50 that there were people on the line calling in to talk to 50. One of these people was Styles P. After the Styles P conversation ended mostly peacefully Angie informed 50 that more people were calling in. The next person who came onto the air was Cam'Ron. The conversation started out peacefully but soon escalated into argument as 50 claimed that Koch Records was a 'graveyard'. After some incipient tension, the conversation precipitously changed into an argument about the quantity of record sales from their respective artists Lloyd Banks and Jim Jones. Cam'Ron ridiculed Banks for selling only 300,000 records on a major label when Jones sold as much while having a lesser fan base and being on an independent label. Martinez later had to cut Cam'Ron off from the conversation due to his frequent use of profanity.
(Listed alphabetically by title)
| Preceded by WYNY |
FM 97.1 in New York, New York October 7, 1988 – present |
Succeeded by WQHT |
| Preceded by WQHT |
FM 103.5 in New York, New York 1986 – October 7, 1988 |
Succeeded by WYNY |
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